A single mother, Vibeke, and her son Jon, have just moved to a small, remote town in the north of Norway. It is the day before Jon's birthday, but Vibeke, preoccupied with concerns of her own, has forgotten this. With a man on her mind, she ventures to the local library and then a fairground, while Jon goes out to sell lottery tickets for his sports club. We follow the two characters on their separate journeys through a cold winter's night as Orstavik weaves together their two separate worlds - a sense of uneasiness grows.
An unforgettable debut about a young British Ghanaian woman as she navigates her twenties and finds her place in the world, for readers of Queenie and The Other Black Girl.
Der Erzähler erfindet (»Ich stelle mir vor:«) mögliche Lebensgeschichten dreier Personen: Da ist Gantenbein, der einen Blinden spielt, um so genauer seine Umwelt beobachten zu können. Oder da ist Enderlin, der immer »ein fremder Herr« bleibt. Auch Svoboda muß die Erfahrung machen, daß Liebe und Ehe endlich sind. Übrig im Spiel der erdichteten Rollen bleibt: Gantenbein.
SS Officer Juliyus Schlesinger is ordered to remove the statue of the Jewish composer Mendelssohn from the roof of the Prague Academy of Music before an official concert. Unsure which of the statues is Mendelssohn, he tells his men to remove the one with the biggest nose. Unfortunately, this is the statue of Wagner.
Książki pełne są zbytecznych zdań, chciałam zatem w tej książce napisać tylko te, które są niezbędne. Niezbędne zdania znajdywałam, słuchając głosu instynktu - to on dawał mi sygnał, które zdania uwiecznić, a które nie. Tak powstały obrazy, podobne do partytury, chciałam, żeby czytelnik odbierał je jak najsilniej i jak najbardziej intymnie, tak jak odbiera się muzykę i, niekiedy, malarstwo. Obrazy łączyły się, następując jeden po drugim, powstawała opowieść o prywatnej tożsamości, ale i o tożsamości kolektywnej, o lękach, o przemocy, o złu... a tak naprawdę o końcu, o tym,... continue
In a world where the dead can wake and walk among us, what is truly real?
Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the only good thing in Roos’ life, which is filled with sordid backroom séances organized by her mother. That is, until wealthy young widow Agnes Knoop attends one of these séances and asks Roos to come live with her at the crumbling estate she inherited upon the death of her husband. The manor is unsettling, but the attraction between Roos and Agnes is palpable. So how does someon... continue
Troubled by an inability to find any meaning in his life, the 25-year-old narrator of Naive. Super quits university in an attempt to discover a raison d'etre. He recounts a series of anecdotes, which culminate in a trip to stay with his brother in New York. He writes lists. He becomes obsessed by time and whether it actually matters. He befriends a small boy who lives next door. He yearns to get to the bottom of life and how best to live it.
"Nana is probably the most famous character in Les Rougon-Macquart. The novel that bears her name, published in 1880, is the ninth volume in the series. It consists of a number of episodes, or tableaux, in the short but spectacular life of Ana Coupeau, the fourth child of Gervaise Macquart. We first saw her as a young girl in L'Assommoir (1877), her father an abusive alcoholic, her mother Gervaise reduced to a similar degraded state. She works as a milliner's assistant and dabbles in casual street prostitution. She has a child by an unknown father when she is sixteen. Having escaped from the s... continue