Octavio Paz, asserts Eliot Weinberger in his introduction to these Selected Poems, is among the last of the modernists "who drew their own maps of the world." For Latin America's foremost living poet, his native Mexico has been the center of a global mandala, a cultural configuration that, in his life and work, he has traced to its furthest reaches: to Spain, as a young Marxist during the Civil War; to San Francisco and New York in the early 1940s; to Paris, as a surrealist, in the postwar years; to India and Japan in 1952, and to the East again as his country's ambassador to India from 1962 t... continue
In the vein of 'What Doesnt Kill You Makes You Blacker' and 'We Are Never Meeting in Real Life', Ben Philippes candid memoir-in-essays chronicles a lifetime of being the Black friend (see also: foreign kid, boyfriend, coworker, student, teacher, roommate, enemy) in predominantly white spaces.
Amid the harsh landscape of the Ozark Hills, sixteen-year-old Ree is taking care of her mother and two brothers. Her father has put their house up as bail and if he doesn't show up at court it'll be sold from under them. To save her family she needs to track him down but in a community riven with long-running feuds getting answers isn't easy.