Stefan Zweig (1881–1942) was a poet, novelist, and dramatist, but it was his biographies that expressed his full genius, recreating for his international audience the Elizabethan age, the French Revolution, the great days of voyages and discoveries. In this autobiography he holds the mirror up to his own age, telling the story of a generation that "was loaded down with a burden of fate as was hardly any other in the course of history." Zweig attracted to himself the best minds and loftiest souls of his era: Freud, Yeats, Borgese, Pirandello, Gorky, Ravel, Joyce, Toscanini, Jane Addams, Anatole... continue
Hasta una perdida aldea centroeuropea, en un remoto rincn̤ alpino, llega a principios del siglo XX el pequeǫ Andreas Egger con apenas cuatro aǫs, abandonado por su madre. El niǫ crece sometido a la fřrea disciplina de su to̕, y su horizonte se agota en la cadena de enormes montaąs que rodean el valle. As,̕ entre esas cimas, la vida de Andreas discurre entre la rudeza del entorno y una forzosa adaptacin̤ a los cambios que impone el progreso. Una fb̀ula sobre el sentido y el sinsentido de la existencia. Las pulsiones bs̀icas del ser humano, la generosidad y el egos̕mo, el amor y la muerte, son l... continue
Fiercely observed, often hilarious, and “reminiscent of Ibsen and Strindberg” (The New York Times Book Review), this exquisitely controversial novel was initially banned in its author’s homeland. A searing portrayal of Vienna’s bourgeoisie, it begins with the arrival of an unnamed writer at an ‘artistic dinner’ hosted by a composer and his society wife—a couple he once admired and has come to loathe. The guest of honor, a distinguished actor from the Burgtheater, is late. As the other guests wait impatiently, they are seen through the critical eye of the writer, who narrates a silent but frenz... continue
Ironically depicts the lives of leather-merchants in the Leopoldstadt district of Vienna and the despair, poverty, and declining moral values of the 1930s.